early support by laurent garnier, mathias kaden, chris liebing and more..huge tip!

rock

ultra limited

roots reggae, ultra limited copies

this is the first release from the lost, re-discovered, re-mastered tracks which were originally recorded some 20 years ago. originally used as a vehicle for gary “the general” to play unreleased tracks at the now infamous and legendary manga club night in edinburgh.

remixes by hardway brothers, justin robertson..

reissue

the second longplayer from mf robots on triple vinyl, housed in a gatefold sleeve.

ltd 7 inch

2021 reissue

long time friends and collaborators dlr & break finally give dub-plate classic hit the target the nod to see the light of day, there isn t much we can say about hit the target that hasnt been said already so we ll move onto nads.

gimme a break records kicks things off with a killer compilation.

next leyla compilation with tracks from peder mannerfelt, go hiyama, casko and 6siss & maere.

repress :) sakanat studio crew from egypt presents their brand new label sakanat records.

3dr release of potg

reissue of birdy nam nam’s “first break beat”.

on the 5th day is back from a year long hiatus, and mod21 breaks the ice.

rommek builds and breaks the tension.

antioco churned out his debut ep the night break, two rich and emotion-filled tracks!

collective of producers sharing their passion for the break. vinyl only release

night owls is a group and production teamfeaturing members of los angeles groups thelions and the aggrolites

remastered reissue of the 1985 album from jake hottell.

new calibre 4 track ep on craig richards’ the nothing special label, that plays with breakbeat garage, house and dubstep.

ultra rare 7” from these two ladies of deep house. only 50 copy, vinyl only, be quick!

t.d.o.s. third single featuring japanese turntablalist dj to-ru (dujada-goja) is side b is uchu daikaiju no ballad (the ballad of the space monster) featured samples of gozilla dialogues with a scary soundtrack mood.on a progressive and experimental beat. the artist > the dude of stratosphear aka t.d.o.s.

fresh backstock

break at home is the collected recordings of the mysterious group 2 katara which was formed in athens, greece in 1978 by george theodorakis (keyboards, percussion, vocals) with his close friend dimitris papangelidis (bass, guitars, percussion, vocals) tip! this musical-duo recorded quietly over a decade between theodorakis’ family idyllic home studio in the philopappou hill of athens and the nearby studios theta and sr. for some part, the tracks seem like adventurous experiments or even unfinished samplers or riffs the band starts to develop, but at the same time there are productions that are clearly meant to be the backbone of an album that never came out.

teaming up again with the master of junglist vocals – mc fats and employing the classic soulful vibes of legend cleveland watkiss, break created a full vocal single, with both artists featuring on both sides. we are the people weaves mellow and uplifting piano chords with a strong verse from cleveland, switching to fats for his lick to cut into a heavy drop. weighty wobbling jungle subs, peppered with warm synth bass melodies carry this summery roller through, with both vocalists complimenting each others flavours stylishly. a blissed out dreamy breakdown gets you chilled for a switch back to the second drop bassline, going low and long with the subs. a chilled summery feel good vibe, with some backbone!
midnite classic, rolling in a heavy reggae skank loop for the intro sets a great backdrop for cleveland’s very catchy lyrics and melody. switching to fats for a minimal dnb build up and dropping with his renowned vocal style cutting over the bassline on a junglist style drop. a classic old skool feeling but still with a fresh modern edge, this is an addictive club tune, capturing raw vibes that are always needed in the dance.

wow. now we re talking, all time classic material right here from the strictly archives. the legendary man of many hats armand van helden dropped this almighty, hypnotic slab of deepness under his mole people guise in the mists of 1995. a total deep house classic indeed. dreamy, driving, dubby, hypnotic, narcotic - it has it all. super long tracks, for the dj s to work and for the dancers to get fully lost in. break night is colossal, this one will literally transport the dance-floor to another dimension, guaranteed. sounding as fresh and as relevant as ever. timeless. ocean on the flip steps up the toughness factor with some super hard, swingin nyc drumz, but it still has that otherworldly edge that the a-side drenched us in previously. a near perfect record here, made available again, undoubtedly this will win a new legion of fans it s that good! this one s a tasty 2017 reissue and remaster, featuring both cuts, unedited, as per the original release way back when. essential stuff here. do not sleep.

the drum library series, which began back in 2001, has prided itself on compiling the hardest, crunchiest and most rarefed drums from every source imaginable. we’ve held to this standard for over 15 years, providing professional producers & bedroom beat makers alike with the largest collection of quality drums available today. in short, the drum library series has become an industry standard. the ever-expanding, go-to kit for beat makers around the world. now, with the conclusion of the series at volume 15, you hold in your hands, what will be the last vinyl incarnation of the drum library series.
these drums actually constitute what would have originally been volume 4 and 5 before the masters were initially thought to have been lost in a flood that gutted the studio where, up until then, the drum library series were made. fortuitously perhaps, these last two “orphaned” volumes were discovered safe & sound in a storage unit just as vol.15 was wrapping up. we’ve compiled them both here in one special edition volume.
we hope you’ve had as much fun using the drum library series as we’ve had making them. thank you for your support over the years!

lake people, the man with a knack for aural subtleties, is spot-on with his first ep for uncanny valley. over the course of four tracks he showcases a quiet different approach compared to the sophisticated house music the leipzig based artist released on labels like permanent vacation or connaisseur recordings. on -break the pattern- he relies heavily on the good old boom tschak-paradigm of electro, without completely giving up his trademark sound. -level msk- combines staccato-type chords with a stuttering beat that stick in your mind. the acidic -september futuristic- with its stoic drumming has almost a krautrock feel to it. on the flipside, the playful -chords in chorus- feels like an early contender for this year s summer anthem with chords and acid lines from heaven. the ep closes with -pull off-, a perfect example for lake people s ability to compose tracks with an emotional depth.

while the original album quiet distortion still resonates on dance floors around the world, we are more than happy to present to you a wonderful and versatile remix package of select album tracks. we believe the lineup of remixers really speaks for itself:

ltd 7 inch re issue

nice price deal !!! 1988 breakbeats from the break boys.

april showers bring may flowers, but this april claude vonstroke brings you the rain break. inspired by two different songs from the 80s - (razes classic break for love and oran juice jones the rain), claude has replayed and re-sung all the music from scratch to make a special cover tune of both tracks changed and combined into a surefire dirtybird classic. to quote vonstroke, i kept singing the break for love bassline over and over again in my head but the vocal that always popped in over the top was from the oran juice jones. i cant explain why that happened but i just thought they went together so well that i ran with it.here comes the b is a much weirder affair. built with massive psychedelic effects, a huge kick and almost no hi-hat pattern, this is late night cavemen music at its best. this big release from cvs will have you wishing for a downpour so you can go walking in the rain.

with the two fellows enrico sangiuliano & frankyeffe from italy gregor tresher again proves his talent to discover great new artists for his label break new soil. enrico s releases on drumcode and secret cinema s gem records and franky s tracks for flash and trapez were already high quality documentations of their exceptional studio skills but combining forces pushed their output to another level. peaktime techno at its best.

axe on wax return for their 5th release with berliner monosoul who delivers a 3 track ep with remixes from iron curtis & leaves aka smpl and the new zealand boys now london based chaos in the cbd. essential deep house music not to be missed.

straight out of st petersburg comes a brand new drum & bass label from russia with a lot of love. an offshoot of already established audio plants recordings, burelom (pronounced boorelom) is the russian word describing rugged outdoor terrain, windswept landscapes and fallen trees. this image sets a precedent for the music to follow, expect some of the most breathtaking d&b from deep, dark sonics through to ethereal vocal-led dance floor infusions, starting with release number 1 due january 2014.

brill piano house monster on tim sweeneys beats in space imprint

classic re-issue , house anthem !!! ltd nice price summer sale

after making quite an impression with his work on items & things, kill the dj, snork entreprises, respoal schallware and correspondant in the last two years, tomas more steps up to release his debut ep on gtcm. this two-part ep provides a unique glimpse into tomas world and the contrasting results his talent produces. part i focuses on the more atmospheric side of tomas sound. heartfelt, genuine, perhaps surprising for some, this release is nonetheless essential as it contains gorgeous original tracks and boundary- pushing remixes from italian new yorker madteo. this guy has simply been last years hero with groundbreaking music released on worlds finest imprints such as hinge finger, wania, trilogy tapes, morphine and a monumental lp on legendary sakho recordings

as a way to show our appreciation to all you vinyl lovers who ve supported parkway, tha label have decided to release this one as a special, limited vinyl only 10 .

northern england based outcross records bring you the break out ep this november by inland knights backed with a remix from label heads mam (miguel campbell & matt hughes).

excellent 80s / nyc influenced disco

the prism is an aluminum cube, small enough to fit in your palm. it was designed by nicolas jaar as a new medium for releasing music. the first release - csa001 - features twelve (mostly) unreleased songs from jaar and other clown & sunset collaborators. the prism is a piece of art in and of itself, its contents beg to be shared. twin headphone outlets encourage connections to the object and between the two listeners. the prism tries to restore physicality to the listening experience. the medium and the method are as important as the music itself. the prism makes you consider how the music is being heard, the way the object feels in your hands, and its potential to foster intimacy between listeners. when the prism is unplugged, a beam of light passes through the empty center, revealing a void. someone is missing.

with his recent,chart-topping releases on 100% pure, tronic and rejected,its safe to say bart is in topshape: on his double-a side for bns, he pushes his signature percussive techno-house sound to a new height!